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The Hobbit
J. R. R. Tolkien


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The representation of the dwarves in The Hobbit by Tolkien was influenced by his own selective reading of medieval texts regarding the Jewish people and their history. The dwarves' characteristics of being dispossessed of their ancient homeland at the Lonely Mountain, and living among other groups whilst retaining their own culture are all derived from the medieval image of Jews, whilst their warlike nature stems from accounts in the Hebrew Bible. The Dwarven calendar invented for The Hobbit reflects the Jewish calendar in beginning in late autumn. And although Tolkien denied allegory, the dwarves taking Bilbo out of his complacent existence has been seen as an eloquent metaphor for the "impoverishment of Western society without Jews."
Title page of second printing of first American edition of The Hobbit by the Houghton Mifflin Company from 1938.

Hobbits are a fictional diminutive humanoid race who inhabit the lands of Middle-earth in J. R. R. Tolkien's fiction.

The Hobbit, or There and Back Again, is a fantasy novel and children's book by English author J. R. R. Tolkien. It was published on 21 September 1937 to wide critical acclaim, being nominated for the Carnegie Medal and awarded a prize from the New York Herald Tribune for best juvenile fiction. The book remains popular and is recognized as a classic in children's literature.

Set in a time "Between the Dawn of Fćrie and the Dominion of Men", The Hobbit follows the quest of home-loving hobbit Bilbo Baggins to win a share of the treasure guarded by the dragon, Smaug. Bilbo's journey takes him from light-hearted, rural surroundings into more sinister territory. The story is told in the form of an episodic quest, and most chapters introduce a specific creature, or type of creature, of Tolkien's Wilderland. By accepting the disreputable, romantic, fey and adventurous side of his nature and applying his wits and common sense, Bilbo gains a new level of maturity, competence and wisdom. The story reaches its climax in the Battle of Five Armies, where many of the characters and creatures from earlier chapters re-emerge to engage in conflict.

Personal growth and forms of heroism are central themes of the story. Along with motifs of warfare, these themes have led critics to view Tolkien's own experiences during World War I as instrumental in shaping the story. The author's scholarly knowledge of Germanic philology and interest in fairy tales are often noted as influences.

Encouraged by the book's critical and financial success, the publisher requested a sequel. As Tolkien's work on the successor The Lord of the Rings progressed, he made retrospective accommodations for it in The Hobbit. These few but significant changes were integrated into the second edition. Further editions followed with minor emendations, including those reflecting Tolkien's changing concept of the world into which Bilbo stumbled. The work has never been out of print. Its ongoing legacy encompasses many adaptations for stage, screen, radio, board games and video games. Several of these adaptations have received critical recognition on their own merits.

Bilbo Baggins, the titular protagonist, is a respectable, reserved hobbit. During his adventure, Bilbo often refers to the contents of his larder at home and wishes he had more food. Until he finds a magic ring, he is more baggage than help. Gandalf, an itinerant wizard introduces Bilbo to a company of thirteen dwarves. During the journey the wizard disappears on side errands dimly hinted at, only to appear again at key moments in the story. Thorin Oakenshield, the proud, pompous head of the company of dwarves and heir to the destroyed dwarvish kingdom under the Lonely Mountain, makes many mistakes in his leadership, relying on Gandalf and Bilbo to get him out of trouble, but he proves himself a mighty warrior. Smaug is a dragon who long ago pillaged the dwarvish kingdom of Thorin's grandfather and sleeps upon the vast treasure.

The plot involves a host of other characters of varying importance, such as the twelve other dwarves of the company; two types of elves: both puckish and more serious warrior types; Men; man-eating trolls; boulder-throwing giants; evil cave-dwelling goblins; forest-dwelling giant spiders who can speak; immense and heroic eagles who also speak; evil wolves, or wargs, who are allied with the goblins; Elrond the sage; Gollum, a strange creature inhabiting an underground lake; Beorn, a man who can assume bear form; and Bard the Bowman, a grim but honourable archer of Lake-town.

Tolkien's works incorporate much influence from Norse mythology reflecting his lifelong passion for those stories and his academic career in Germanic philology. The Hobbit is no exception to this; the work shows influences from northern European literature, myths and languages and the strong influence of Norse mythology, especially from the Poetic Edda and the Prose Edda. Examples include the names of some characters, such as Fili, Kili, Oin, Gloin, Bifur, Bofur, Bombur, Dori, Nori, Dwalin, Balin, Dain, Nain, Thorin Oakenshield and Gandalf (deriving from the Old Norse names Fíli, Kíli, Oin, Glói, Bivör, Bávörr, Bömburr, Dori, Nóri, Dvalinn, Bláin, Dain, Nain, Ţorin Eikinskialdi and Gandálfr). But whilst their names are from Old Norse, the characters of the dwarves are more directly taken from fairy tales such as Snow White and Snow-White and Rose-Red as collected by the Brothers Grimm. The latter of these tales may have also influenced the character of Beorn.

The representation of the dwarves in The Hobbit by Tolkien was influenced by his own selective reading of medieval texts regarding the Jewish people and their history. The dwarves' characteristics of being dispossessed of their ancient homeland at the Lonely Mountain, and living among other groups whilst retaining their own culture are all derived from the medieval image of Jews, whilst their warlike nature stems from accounts in the Hebrew Bible. The Dwarven calendar invented for The Hobbit reflects the Jewish calendar in beginning in late autumn. And although Tolkien denied allegory, the dwarves taking Bilbo out of his complacent existence has been seen as an eloquent metaphor for the "impoverishment of Western society without Jews."

George Allen & Unwin Ltd. of London published the first edition of The Hobbit on 21 September 1937 with a print run of 1,500 copies, which sold out by December because of enthusiastic reviews. In 1938 the book was published by Houghton Mifflin in the United States.

Despite the book's popularity, paper rationing brought on by wartime conditions and not ending until 1949 meant that the Allen & Unwin edition of the book was often unavailable during this period.

Subsequent editions in English were published in 1951, 1966, 1978 and 1995. The novel has been reprinted frequently by many publishers. In addition, The Hobbit has been translated into over forty languages, with more than one published version for some languages.

Tolkien's correspondence and publisher's records show that he was involved in the design and illustration of the entire book.

The Hobbit takes cues from narrative models of children's literature, as shown by its omniscient narrator and characters that young children can relate to, such as the small, food-obsessed, and morally ambiguous Bilbo. The text emphasizes the relationship between time and narrative progress and it openly distinguishes "safe" from "dangerous" in its geography. Both are key elements of works intended for children.

The basic form of the story is that of a quest, told in episodes. For the most part of the book, each chapter introduces a different denizen of the Wilderland, some helpful and friendly towards the protagonists, and others threatening or dangerous.

The evolution and maturation of the protagonist, Bilbo Baggins, is central to the story. This journey of maturation, where Bilbo gains a clear sense of identity and confidence in the outside world, may be seen as a Bildungsroman rather than a traditional quest. The Jungian concept of individuation is also reflected through this theme of growing maturity and capability, with the author contrasting Bilbo's personal growth against the arrested development of the dwarves. Thus, while Gandalf exerts a parental influence over Bilbo early on, it is Bilbo who gradually takes over leadership of the party, a fact the dwarves could not bear to acknowledge.

The Hobbit employs themes of animism. An important concept in anthropology and child development, animism is the idea that all things—including inanimate objects and natural events, such as storms or purses, as well as living things like animals and plants—possess human-like intelligence.

The style and themes of the book have been seen to help stretch young readers' literacy skills, preparing them to approach the works of Dickens and Shakespeare. By contrast, offering advanced younger readers modern teenage-oriented fiction may not exercise their reading skills, while the material may contain themes more suited to adolescents. As one of several books that have been recommended for 11–14 year old boys to encourage literacy in that demographic, The Hobbit is promoted as "the original and still the best fantasy ever written."

While reliable figures are difficult to obtain, estimated global sales of The Hobbit run between 35 and 100 million copies since 1937.

The Hobbit is a film series consisting of three epic fantasy adventure films directed by Peter Jackson. They are based on the 1937 novel The Hobbit by J. R. R Tolkien.

Source and more information:
Wikipedia article The Hobbit

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